skip to main | skip to sidebar

3

Tuesday, December 16, 2008

*5ezas de H5st6r5a

yama-bato:<br><br>“Concrete Art holds an infinite number of possibilities” (Max Bill)<br>“A Metagonal Spiral”.<br>http://hebert.kitp.ucsb.edu/hv/mbill.html<br>http://hebert.kitp.ucsb.edu/hv/unpub.html<br>

dotillus:
Lucio Fontana, Milan, 1964 by Ugo Mulas

theultimatesimplicity:

crashinglybeautiful:
Lucien Hervé, “Unité d’Habitation,” Le Corbusier, architect, 1952; cropped 6 x 6 negative, from History of Our World.

stephenhoang:
Chapel of Notre Dame du Haut, Ronchamp, France By Le Corbusier (1955)
For me, this is the ultimate example of a formally derived building. The curves, the roof, varying thicknesses of walls, the apertures, they all work together in complete harmony. And in person, the building was just a beautiful as everybody says.

dgroundsel:<br><br>v symmetrical rvlvr: Kevin St. Grey<br>

aureliomadrid:<br><br>jaap kroneman<br>from galerie van gelder<br>

apostrophe9:<br><br>The Guggenheim, NYC…’9<br>

colettesaintyves:<br><br>Le Tempestaire, Jean Epstein, 1947.<br>

kml:<br><br>jerónimos (via Nuno Pinheiro)<br>

irocellophane:<br><br>(sopa-de-ojo)<br>

ominotigre:<br><br>Distant relative<br>

unsolvedmysteries:<br><br>(by hnt6581)<br>

9u6i6i:<br><br>This Is My Railroad (1940) <br>

arcroll:<br><br>| niteroi |<br>

brasilia by ON<br>arcroll:

johnnychallenge:<br><br>siliconally:<br><br>eroticcandy:<br><br>(via reactant, rippedskin)<br><br><br>

arcroll:<br><br>| power station power |<br>

rerylikes:<br><br>xverdxse<br>

anddouglassays:<br><br>Surrounded Islands <br>Miami, Florida, 1980-83<br>Christo and Jean-Claude <br>

missingnumbers:<br><br>(via: doomwork)<br>

annaovchinnikova:<br><br>Rem Koolhaas. House of Music. Porto, Portugal.<br>

wikner

Posted by lfilms at 6:32 PM

Newer Post Older Post Home